Label: RCA Victrola - VICS 1389 • Format: Vinyl LP, Album, Stereo • Country: Germany • Genre: Classical • Style: Classical
Several unsuccessful attempts had been made in the s to entice Haydn to visit England. The first of Haydn's two excursions to London began in December of and was, by all accounts, a great success. He remained in London for two concert seasons, returning to Vienna in July The composer wrote six new symphonies for the concert series now numberedthe first six of the so-called After Hours - Muddy Waters - Cant Get No Grindin symphonies.
Composed inthis symphony was first performed near the end of Salomon's concert season in London, probably in May or June.
There is evidence Haydn initially paired the Symphony No. It is unique among the "London" symphonies in its lack of a slow introduction and its minor key. Haydn may have felt the dramatic nature of C minor made a slow introduction unnecessary.
It is also his only minor key symphony that includes trumpets and timpani. The striking opening of the first movement, with its initial fortissimo outburst followed by a dotted-rhythm melody, is suffused with Sturm und Drang tension.
A dynamically diverse transition, built on the opening figure, modulates to the relative major E flat for the secondary theme, a falling figure in the violins. Both primary and secondary themes appear in the extensive development section, but the forceful figure from the very beginning of the movement takes center stage. In fact, the tune sounds so many times that Haydn elects to omit it from the truncated recapitulation, beginning the section instead with the dotted-rhythm theme.
When the second theme makes Un Été 42 (Summer Of 42) (Suite Pour Harpe & Orchestre) - Michel Legrand - Musicales Comédies entrance it is not on the tonic, C minor, but on C major, the key in which the movement ends.
Marked Andante cantabile only Andante in Haydn 's autograph and in E flat major, the second movement is almost entirely scored for strings alone. The light-heartedness of the movement turns ominous as the opening theme returns in E flat minor. While maintaining the traditional formal parameters of the minuet and trio, Haydn greatly expands the form in the third movement, in C minor. The first section of the Menuetto is 22 measures in length, rather than the typical eight or After the first part closes on E flat, the second part begins in this same key with new material In The Mainframe - Dave Davies - I Will Be Me rounds off with the typical restatement of the first section, but returning the harmony to C minor.
The contrasting Trio is in C major and features a cello solo throughout. Haydn closes the symphony on a bright note by setting the Finale in C major. The rapid chromatic adventures in the middle of the movement anticipate the fortissimo C minor segment near the end.
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