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Access options available:. Korrespondensen mellan Axel Carpelan och Jean Sibelius ed. Korrespondensen mellan Axel Carpelan och Jean Sibelius Axel Carpelanto whom the master dedicated his Second Symphonyhas long been a key if somewhat cloudy figure.
Karl Ekman called him a "highly cultured man and a thoroughly distinguished personality. For Sibelius's prime biographer, Erik Tawaststjerna, he had "little real stamina" and "never got himself far enough to undertake Het Olle Schippersklavier - Various - Grunneger Laidjesfestival 1982 As T Moar Mit Laaifde Gaait [music] criticism, let alone playing or composing.
Later on, Sibelius, a bull in the china shop, brought it up in conversation with Axel, not realizing that Axel had been the bearer of floral gifts—a painful scene that Axel, in his turn, then recalled in a letter to Sibelius of April 13, "You had forgotten that I was that wretched figure.
It was a fraught relationship. On October 7,Sibelius called Carpelan "a strange, somewhat comical gentleman," and, on December 29,wrote: "Axel Carpelan [is] no longer my friend. Can't figure out the reason. Sibelius, stated that she wanted to leave forthwith. On August 24,Sibelius recorded a vignette from Ainola, "at which I [Janne] couldn't control myself—it has to be finished between us, but—this my only admirer and friend—it feels hard.
Diets were not the only cause of friction; the diary for November 16, says: "It's all over with Axel because of Kajanus"—Robert Kajanus, the composer and conductor who, Sibelius thought, was stealing his thunder and his friend. Axel was a worrywart, a nervous Nellie, and a buttinsky. Yet the letters from Axel's side constantly—almost tediously— bear witness to his devotion and admiration.
The two were a perfect fit, in their hypochondria the letters complain incessantly about illnesses, real and imagined Offshore - Marcel Woods - Musical Madness, in their emotional fragility, and in their talent. Axel had an expert command of music—he could read Sibelius's scores as they came to him and imagine how they would sound.
Helpfully, he commented on details of orchestration and dynamics; he "burned" with desire to get the score of The Oceanidescomposed and performed for [End Page ] Sibelius's concert at the Stoeckels' music-shed in Norfolk, Connecticut in When he at last received it, belatedly November 17,he was Het Olle Schippersklavier - Various - Grunneger Laidjesfestival 1982 As T Moar Mit Laaifde Gaait himself: "A new break-through, new style and technique: Such sounds and harmonies [as] I have never heard before.
Effectively, he warned Sibelius away from opera; on December 6, Los Tres Diamantes - Usted Y Otros Exitos, after an excursion to Helsingfors to hear Madama Butterflyhe wrote: "Taken large, opera is a monstrosity, a debasement of music and of drama, too. The conductor was Georg Schneevoigt, of whom Carpelan—as a letter of December 15,tells us—entertained Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and Fool - Rollins Band - Weight worldwide.
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